(English) THE EDGE OF VISION, OR THE EDGE OF THE EARTH is Liu Shiyuan’s first solo exhibition presented by WHITE SPACE BEIJING, showcases the representative photography installations and videos from her artistic practice over the past two years. >> 更多
(English) The exhibition showcases an installation of photographic and video works bringing life to Impressionist paintings and questioning the perception of landscape in the contemporary context of digital modes of representation. >> 更多
(English) Angela Bulloch – ‘It's a feast for the mind because their appearance changes, so you're constantly doing adjustments with your eyes. Your eyes are trying to find the similarities, the differences, the irregularities. It’s like scratching an itchy place in the mind.’ >> 更多
(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多
(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多
(English) Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> 更多